“Her art forces us to deal with issues of racism, stereotypes and gender inequality.” “Kara Walker is one of the most important artists of our time,” Schnitzer said. Schnitzer is a prominent collector of artwork created by postwar and contemporary artists of color. “Cut to the Quick” is drawn from the collections of Jordan Schnitzer and his family foundation, based in Portland, Oregon. “That push and pull is the underlying turbulence that I bring to each of the pieces that I make.” “It’s kind of wanting to be the heroine and yet wanting to kill the heroine at the same time,” she said. In a recent YouTube video, Walker described to college students her approach to art, explaining that she often incorporates contradictions. After library officials held discussions with employees, the work was uncovered. Soon after, the piece was covered at the request of library employees who were upset by its depictions of the Ku Klux Klan with a burning cross and a naked Black woman performing a sexual act on a white man.
In 2012, Walker’s “The moral arc of history ideally bends towards justice but just as soon as not curves back around toward barbarism, sadism, and unrestrained chaos” was displayed in the Newark Public Library in New Jersey. Here she's with that work at the Museum of Modern Art in New York.
MOCA’s education programs reach approximately 30,000 children a year.Kara Walker took the art world by storm in 1994, when her installation “Gone: An Historical Romance of a Civil War as It Occurred b’tween the Dusky Thighs of One Young Negress and Her Heart” was shown at the Drawing Center in New York. MOCA features rotating exhibitions year-round. Courtesy of Bill Murray, ONON Photography. Visit the City of Virginia Beach’s CVB website to learn more about Virginia Beach attractions and hospitality. MOCA is also supported locally by our Partners in the Arts. Additional support is provided by Virginia Commission for the Arts, National Endowment for the Arts, Business Consortium for Arts Support and The Hampton Roads Community Foundation. The Virginia Museum of Contemporary Art is funded in part by the citizens of Virginia Beach through a grant from the City of Virginia Beach Arts & Humanities Commission. Verner Johnson and Associates, is approximately 38,500 square feet and features 6,300 square feet of exhibition space. The current structure, designed by Boston architect E. In 1989, after nearly a decade of planning, fundraising and construction, MOCA opened in its present location at 2200 Parks Avenue. After maintaining a small oceanfront property for several years, local supporters in the late 1980’s planned to construct a new physical space for the Museum. The building is owned and maintained by The City of Virginia Beach and MOCA operates within it as a private, non-profit. MOCA is one the region’s best examples of a private-public partnership. By operating at a national standard, MOCA received accreditation from the American Alliance of Museums in 2010. By balancing its four primary activities-gallery exhibitions, studio art classes, educational outreach programs and outdoor art shows-MOCA seeks to involve a diverse regional public in the rich and active language of contemporary visual art. Regularly changing exhibitions feature painting, sculpture, photography, glass, video and other visual media from internationally acclaimed artists as well as artists of national and regional renown. Through excellence and diversity in our changing exhibitions and educational programming, MOCA stimulates critical thinking and dialogue throughout the Hampton Roads community.
The Virginia Museum of Contemporary Art is a non-profit institution which exists to foster awareness, exploration, and understanding of the significant art of our time.
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